The introduction of real-time technologies into the choreographic process has modified the public's relationship to the dance produced by CRI. The interactive works have moved from the field of live performance to that of digital art and then to immersive art. However, at the very beginning, Gwendaline Bachini (founder of LA CRI) created shows mixing dance and film designed for the stage. Here after, two video extracts from the first hours of LA CRI. Translated with www.DeepL.com/Translator (free version)